Spirit Catcher (Belgium) ~ Visao Spotlight

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spirit catcher - belgium - visaospotlight
“History has spawned hundreds of genius double acts where two minds and talents collide to form something innovative and artistically challenging. Unfortunately, Spirit Catcher are just a pair of European weirdos”. Spirit Catcher is Jean Vanesse (Belgian engineer) and Thomas Sohet (keyboard player). Two guys performing live techno using analogue/digital devices. Together, they take you on a timeless journey, of harmonic sounds… funky and fresh techno… a cosmic boogie.

Visao: Looks like both of you were born to play music, share the same passion in influence and modern music. How did the name Spirit Catcher come about?
SC: The name ‘Spirit Catcher’ came from an art piece in Ontario of the same name. It’s a huge steel “bird looking” spirit catcher, based in the middle nature. We really loved how it looks and how it’s involved in it’s surroundings. It has a real touch with your soul when you watch it, and we wish to have the same kind of feeling when you listen to our music. It’s a mix between modern art and solid techniques from the past. We wish to work in the same vein when we produce music, involving old analogue machines with the latest music production technologies. Our approach is to make the most timeless music we can by giving a true expression of our spirits, more than trying to get involved in the latest hypes.

Visao: Can you tell us what you’re currently doing in your live performances?
SC: Well, we like to mix all the styles we’re inspired or influenced by, it ranges from older funk based elements to techno. We come on stage with all our analogue apps and use our fingers on white and black keys, pads and knobs :-) Of course we use laptops to run the basics of the tracks, but most of the things are controlled by analogue devices.

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Visao: You guys toured Japan in 08’ and looks like you fell in love with the culture. What were some highlights from that year?
SC: 2008 was indeed a crazy year for us. We were always on the road (or should I say in the sky);-)). Of course we’re fallen in love with Japan. Lots of djs/producers who played there will have the same kind of discourse about the Japanese crowd. With their energy, they’re really able to push you out of any habits you can have when you’re constantly touring. It’s like a ping pong between you and the crowd, if you give more, they do too and nobody knows where it gonna stop :-) So it’s a never ending climb to a climax that stops with the last bit of sound of your set, it’s just the way it is, when the Japanese goes to the clubs!

Now, i must say that we have a lot of other highlights from 2008, or 2007, etc.. Different from Japan, but outstanding too. Actually, we couldn’t really say a place we shouldn’t have been. Each one has it’s own style and that’s what makes this life we live, a real blast!!

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Visao: You’re on tour now how’s it going so far?
SC: It’s good man! We had a really nice time in Denver and Smart Bar in Chicago. Some people were expecting us for a long time (it’s not so easy to organize a tour in the US for a live duo), so it was really good to finally get here. For the rest, beginning of this week was a great time in Chicago, visiting the city. Enjoying American culture with architectural stuff and good food! Yesterday, we had the best cheeseburger EVER, in my life!! ;-)))) I’m just wondering who’s gonna make one better than that. You could even feel the SOUL of the cow in the meat. lol

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Visao: I completely fell in love with the Sedona E.P. on Systematic, it’s simply fresh and very fashion forward. Tell us your approach on this E.P. and Marc Romboy’s interest with you guys on the label? Also, “Secret Stranger” on Rebirth?
SC: Hmmmm, that’s a huge question. It’s not quite that easy to explain how a track is born and how a relationship with a label can start on good basis. I think it’s a question of a vibe we were able to produce on Sedona, Marc Romboy and us are probably on the same wave length on music. Secret Stranger, was a one off track we did for an album on Rebirth, in then we ended up releasing it as a maxi.

Visao: If you could picture Spirit Catcher as an 80’s game, movie or toy what would it be?
SC: It’s funny that you ask that because before coming in US, we were in Japan (again ;-)) and we visited a vintage video game spot with all the great game boards from 80’s and 90’s. We were super excited and put a lot of pictures of those jewels on our Facebook. Many of those games can really depict our style of music. Now, I’d have to say without a doubt, the movie “Tron”.

Visao: Can you tell us a little about your next album to be released on Systematic?
SC: Like for our live show, we wanted to involve the widest range of our music likes and influences. There’s a lot of down-tempo tracks inspired by the 80’s made for home listening and some uplifting dance floor tracks made for a party and/or fast car listening. :-) It’s a challenge and taking us a longer time to pull all those elements together without a feeling of a ‘compilation CD’, it’s going to vary quite a bit, but in a good way. We hope that now, nobody will be tempted to push skip button when they listen to it! I say this for the people who will make the effort to buy it for the ‘album CD’ which is less and less the case with Beatport, unfortunately. We’ve included a lot of transitions and interludes between tracks which acts as a transit from one universe to another one.

Visao: What are your interests outside of the music?
SC: It quite different for Jean and I. Jean is a really big fan of cinema. It’s awesome to explore his DVD collection because you can choose to follow a director or actor of a certain period. I(Thomas) actually like architecture and interior design and sketching out cities and characters. Check out our Facebook, there are few sketches from me. It’s nothing real serious, but it’s a pleasure when I can free my mind… Maybe one day, we’ll do a comic strip talking about our experience of gigs and travelling. Jean being the director involving his passion for cinema, and me and the drawings. 😉

Visao: What is your long-term goal or dream with the music you guys create?
SC: Our dream is to be able to continue to do music that really comes from our heart. We wish to continue in this business without starting to do mainstream shitty music just for making money and boost our tours. It’s a big deal nowadays, because with all the changes operated in the music business in the past 5 years, it’s not easy to keep that focus. So in other words, our dream is to keep our spirit free and be able to catch our own one first, before getting other people’s spirits!

spirit catcher - belgium - visaospotlight

Mighty presents Beat Market featuring Spirit Catcher Live (Belgium) – Friday, May 14, 2010

Press Photography by Fred Pauwels and Leslie Artamonow.
Interview by Alex Trujillo.

Robert Babicz ~ SYSTEMATIC SESSIONS MIX (Babiczstyle)

babiczstyle - 2010 - systematic sessions - visaomedia

Robert Babicz – SYSTEMATIC SESSIONS MIX by robbabicz

Cologne, Germany’s Robert Babicz, a well-respected producer with a musical career spanning 2 decades. Babicz blends techno and house music like an avant-garde artists blends concepts & color. Melodic & Organic Techno, Thrusting Basslines, Babiczstyle

Notable Tracks: Dark Flower, Sin, Remote Kiss, Folger Remix
Latest Album: Immortal Changes

Adnan Sharif ~ Secret City (Exclusive Music + Art Showcase)irt

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2010 - secret city pt.2 - visao media - sacramento house music

VISAO MEDIA PRESENTS S_CRET CITY PT. 2: April 10th, 2010

::: ADNAN SHARIF ::: (FORWARD SF)

Go to Beatport.com Get These Tracks Add This Player

ALX-T
VINCE LOMBARDI
SUKH BANWAIT
B.SCHMITT(schmittdesign)

Opening DJ sets by:
Hi-5
Quinn
Ben J

Mixed-Media Art by:
Jake Jerde
SiMo
El Pinguino
Alex Trujillo
Paydirt
Lomeli

With a Special Screening of Optofonica

Plastikman(Richie Hawtin) x Derivative ~ Visuals Contest


PART 3

Plastikman(Richie Hawtin) & Derivative[Visual Thinking] has teamed up to open a visuals contest to designers/animators for an upcoming live performance. TouchDesigner, is the technology that drives the visual element. Watch these videos for more info. We’ll check back in later, once we have done a full examination of this contest. Click here for all the details.

Plastikman – Spastik
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DUBFIRE (Deep Dish/Sci+Tec) ~ Vessel, SF 11.02.10

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Deep Blue presents Dubfire at Vessel, SF, Thursday, February 11, 2010
Line-up: Dubfire, Shoddy Lyn, Gordon Waze

Awesome Mix: Richie Hawtin & Dubfire – Magda & Loco Dice @ Essential Mix – Exit Festival (18.07.2009)
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Soundcloud Hot Picks ~ December 2009

It’s never too early to share some good sets for December! Enjoy.
Luca Doobie – From Dusk Mixed Selection Vol 01, OFF Recordings Promo Mix – November 2009 by R_co
This great mix comes from Milan’s, Luca Doobie. “Luca Doobie is a brilliant example of music can be dangerously addictive to a man. Guitar player since the age of 10, he’s now one of the most important artists in the ever growing Milan’s underground dance scene.” Featured on Ground Music.

Adnan Sharif Live @ Forward Nov 21 2009 – San Francisco by djadnan
Great set from SF’s Adnan. “Palestinian, Brazilian-born, Adnan Sharif immigrated to the USA in 1987 and found a new home in the city of San Francisco. DJ Adnan is one of the rising stars of the San Francisco House music scene with releases on major underground labels.”

Live at Pygmalion Club, Dublin by Soul Clap
Soulclap is the alter ego of two Boston based DJ/producers. “They locked themselves in a basement until their mixing was flawless and traveled the universe observing the most advanced programmers (Josh Wink, Carl Craig, Francois K).” This set has some really thick basslines and dope Prince, Janet & Fleetwood Mac remixes.

Visao Media: Fergie ~ Excentric Sessions Interview

Fergie Excentric Muzik Visao Media

Growing UP, you put your best foot forward into this world, over the years you come full circle. Only a couple people manage to live a young fast paced life, keeping to their guns, fighting through it all and then finding themselves in a great place still progressing at what you love. Meet Robert Ferguson aka Fergie, the man behind a slammin’ hard hitting label known as Excentric Musik. DJing at age 14, Fergie became a well-known driving force in the UK scene in 2000 with a 5-year slot on BBC’s Radio 1. With numerous charted tracks, countless press, great GLOBAL DJ support and an off-shoot label ‘Rekluse’, Fergie and friends are bringing an onslaught of new + RAW energetic sound.

Visao: You have been getting a lot of support and requests to work on tracks for some of the industries heaviest hitters. Can you explain your process doing a remix vs. your original tracks?

Fergie: Yes, it’s been wicked that the music has been getting the support from everyone, so I’m very happy. I was never into the production side before, I was always DJing and I really enjoyed that side. When I left djing for BBC’s Radio 1, I wanted to take a step back and look at the way I was doing things. I wanted a change, so I decided to enroll in music production courses at the SAE college in Glasgow, where I got the opportunity to look at Reason and Ableton, it was good to get a bit more of an insight into the technology side of things. I have been working with Dave Robertson(Reset Robot) for the past 3 or 4 years, and he uses Reason, so it was good for me to get a bit of a knowledge of what was going on. Going into the studio has been the best. I feel the music I had been playing for the past 6 or 7 years, excited me to jump into the studio and get things started. It was the next natural step for me, to get in there and put some of my ideas down.

With remixes, I always like to keep as much as possible of the original parts, as I feel it is important to keep the original artists work visible. I see a remix as my interpretation of what I would do with all their parts to give it my particular twist. With regards to original music, we go into the studio and go through different sounds and pull it together. We don’t use pre-made loops, we just sort of jam away and see what happens. I always keep it to the harder end of things, as that’s were I’m at right now. If something isn’t really working after 20 or 30 mins I scrap it and just get something else going.

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Visao: Speaking of remixes, you remixed the monumental classic track, Positive Education by Slam released in 1993. Pretty young for you, what’s your thought on the classic and what it meant for music at that time in the UK?

FERGIE: Yes, this was one of the first records I stole. :) I was about 12 or 13. I remember it well. I always found it hard to mix, that was probably because it didn’t go with the other music I was buying. Even though it didn’t go with my other music, it was a MUST play record, it just had every thing and was different at the same time. The remix, came about when Slam asked me to play at their Club Nite in Glasgow (Pressure). I asked the Slam, if I could have the parts to do a special one off mix just for my set at Pressure, when I finished the mix and sent it to them they got back to me and decided they wanted to release it. So, it was an unbelievable moment for me really. I think it would have been much more difficult to do the remix if they had asked me for a remix. I was making something just for my set, just for me, there was no pressure. I made a record that I thought would work well in my set, so of course, getting it then released was a big thing for me indeed!

Go to Beatport.com Get These Tracks Add This Player

Visao: What’s you current setup for gigs?

Fergie: Well, for the past 3 odd years, I have been using Serato, then Traktor Scratch then Traktor Scratch Pro with two midi controllers (Faderfox), but for the past few months I have gone back to CDs. I just wanted to go away from it for a while, and I have to say that I’ve been enjoying just taking my CDs to the clubs and getting straight on there with no messing about in the DJ booth setting this and that up. Traktor, is an amazing piece of kit, I’m not saying I wont go back there but for now I’m back, DJing like the cavemen used to, it seems! How times have changed, when I first started my first decks were Cloud 9, all in one, DJ console with 2 belt driven decks and the only pitch control you had was 33 & 45. I used to jam a bit of my cigarette packet in-between the pitch in-order to get a slight variation, not that it made much difference as my mixing, well to be honest there probably wasn’t much mixing then, Ha!

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Visao: Looks like you guys have some stuff cooking at Excentric & Rekluse. Reset Robot, Mr. Henry Von and you, what are you guys up to?

Fergie: Well, yes. I’m very happy the way Excentric has been received through the music, the club nites and the agency. We have a few new guys on there from Erphun (LA), Laura Heath (Nottingham), Hans Bouffmyhre (Scotland) and Psycatron (Belfast) everything is going well, these guys are releasing some awesome music, so yeah, all is good on that front. Check out myspace.com/excentricartists

With regards to Henry Von, I have started Rekluse with him so yeah we do it between us really got some exciting ne stuff coming up there and also Henry is about to mix the 1st anniversary comp so keep an eye out for that he has also got some new remixes coming out on Excentric in a few weeks. Dave ( Reset Robot ) is a genius he has had some great music out over the past while and next up on Excentric its a colab he has done with Christian Smith its called Elixer it comes with remixes from Henry Von and Gary Beck its quite a big club banger… I’ve been hammering it out for the past few months.

Visao: What are the biggest obstacles and rewards with managing labels and releases?

FERGIE: In this day and age, it’s quite easy to get a label sorted to be honest, there are so many outlets for it and it’s very easy once you’re in the swing of things to get every thing uploaded and do the promo, we use FATT DROP to get it out to the djs. We still do vinyl also, which I’m happy about as I just think its important to give people the option how long that will last, I don’t know as the demand isn’t what it used to be but we will press on with it any way.

Visao: How is your current night going, The Pod?

FERGIE: The Pod ( tripod ) is in Dublin, we will be doing “Shine” in Belfast and events in Matter in London next year, so there will be lots going on. It’s great to get everyone from the agency on board and also some bigger guests, it’s just a good party with all your friends and great chance to hook up with everyone.

Visao: What are you thoughts on Soundcloud? Beatport? Future of digital distribution?

FERGIE: I think these are all great and yes we get lots of music sent from people from Soundcloud, unsigned stuff for Excentric and Rekluse so yeah I think its very important to have all these sites. I think were going through the best time with all the new software whether you want to use it or not its exciting to see that things are being pushed to the max and that the possibilities are endless…. the way people from all over the world can get access to great music no matter where you are is just mind-blowing!

Visao: We first heard your “Reset Robot – Softie remix” in King Unique’s Transitions mix, early this year and has become, like many for us, one of our favorite tracks. What are your thoughts about a remix, should it retain certain % of the original or be open to go anywhere?

FERGIE: Yeah as I said earlier I think its important to keep a certain part of the original in there but also to put your twist on it. With the Softie remix we used all the original parts but added an arpeggiated sound through it just to twist it up a bit and we also changed the bpm a little :)

Visao: Can you give us a production tip of the month?

FERGIE: Production tip.. um for me, we have been rinsing the Thor in Reason its a semi modular synth we get some crazy stuff out of that.

Visao: Any artist(s) that has consistently inspired you with either their works or what they stand for?

FERGIE: I think like many of djs and producers the Leftfield album Leftisam is a true classic and never seems dated, or you never get tired of listening to it, its true perfection from the first trak to the last.

In terms of new djs/producers, as I said before Reset Robot is the nuts and has some awesome music nearly ready to drop on sci + tec. I think Alan Fitzpatrick has been making some incredible music check out his new EP on Drumcode, and of course Mr. H.

Fergie – Excentric Sessions Mix
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The Soundtrack by Paul Kalkbrenner ~ Berlin Calling DVD

The Soundtrack by Paul Kalkbrenner ~ Berlin Calling Visao Media

We have to say this is an excellent album, dance music that seems to be endless in time and memories, Martin (Paul Kalbrenner) is the producer and actor in this movie/soundtrack entitled Berlin Calling. Trailer and looks cool, brings us back to early 90’s era. The album is released on Bpitch Control. I would describe his lengthy sounds to be melodic techno that tells a story. Our favs are: Square 1, Sky and Sand, Mango, Azure, Altes Kamuffel (Special Berlin Calling Edit), Aaron and Gebrünn Gebrünn.

Square 1
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